JAMES HILL
118 Avenida Princesa
San Clemente, CA 92672
949-498-5567
hillmail@cox.net
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Education/Grants - Solo Exhibitions - Group Exhibitions - Articles and Reviews
| M.F.A. | Southern Methodist University, Dallas, TX. (1972) | |
| B.A. | North Texas State University, Denton, TX. (1967) | |
| Penny McCall Foundation Grant, New York, NY. (1987) | ||
| Visual Arts Fellowship, National Endowment for the Arts, Washington, D.C. (1980) | ||
| 2004 | In the Time of Louie Louie; Hangin’ In Like Gunga Din, California State University, Grand Central Art Center (Project Room), Santa Ana, CA. | |
| 2001 | It’s Everything, Bill Maynes Gallery, New York, NY | |
| 1997 | Seeing the Elephant, Bill Maynes Gallery, New York, NY. | |
| Assemblage, Irvine Fine Arts Center, Gallery II, Irvine, CA. | ||
| 1996 | Do Drop In, Bill Maynes Contemporary Art, New York, NY. | |
| 1994 | Go There, Bill Maynes Contemporary Art, New York, NY. | |
| 1990 | Greenberg Wilson Gallery, New York, NY. | |
| 1985 | Gimpel & Weitzenhoffer Gallery, New York, NY. | |
| 1984 | Morgan Art Gallery, Kansas City, MO. | |
| Richmond Art Center, Richmond, CA. | ||
| Utah State University, Logan, UT. | ||
| 1981 | Art Gallery, Stephen F. Austin State Univ., Nacogdoches, TX. | |
| 1980 | Gallerie Simone Stern, New Orleans, LA. | |
| 1979 | D.W. Co-Op Gallery, Dallas, TX. | |
| 1978 | Gorilla Process: James Hill, St. Thomas University, Houston, TX. | |
| Ida Green Gallery, Austin College, Sherman, TX. | ||
| 1977 | Lower Level Gallery, Contemporary Arts Museum, Houston, TX. |
| 2005 | The OsCene 2006, Laguna Art Museum, Laguna Beach, CA. | |
| 2004 | 100 Artists See Satan, California State University Fullerton, Grand Central Art Center, Santa Ana, CA. | |
| 2000 | Depature/Return, The Meadows Museum, Dallas, TX. | |
| The Spurgeon Experience, Spurgeon Building, Santa Anna, CA. | ||
| Snapshot, Contemporary Museum, Baltimore, MD. | ||
| 1998 | Paullina Cupana, Bill Maynes Gallery. New York, NY. | |
| 1997 | Reclamations From An Artificial Paradise: An Electronic Exhibition of Real Object Sculpture, Arts Orange County Virtual Gallery. (http://ocartsnet.org) | |
| 1996 | A Labor of Love, The New Museum of Contemporary Art, New York, NY. | |
| 1995 | Americana, Grand Salon, New York, NY. | |
| 1993 | Art Exhibition, Rowles Studio, Hudson, NY. | |
| Minature Show, Bolinas Museum, Bolinas, CA. | ||
| Paperworks, Rowles Studio, Hudson, NY. | ||
| Works on Paper, Bill Maynes Contemporary Art, New York, NY. | ||
| 1992 | Epigrams, Momentary Modern, Amsterdam, the Netherlands. | |
| Saint Vitus Dance, Suzanne Biederberg, Amsterdam, the Netherlands. | ||
| 1991 | Group Show, New Era Space, New York, NY. | |
| A New Low, Claudio Botello Arte, Turin, Italy. | ||
| Outside America, Fay Gold Gallery, Atlanta, GA. | ||
| 1990 | All Quiet on the Western Front? Espace Dieu-Galerie Antoine Candeau,Paris. | |
| Invitational Miniature Exhibition, Bolinas Museum, Bolinas, CA. | ||
| 1989 | Artists That Teach, Fine Arts Gallery, Long Beach City College, CA. | |
| 1988 | Group Show, Gimpel & Weitzenhoffer Gallery, New York | |
| Group Show, DW Gallery, Dallas, TX. | ||
| Group Show, Morgan Gallery, Kansas City, MO. | ||
| 1987 | Hill & Wong, Main Gallery, University of Texas at El Paso, El Paso, TX. | |
| Group Show, Gimpel & Weitzenhoffer, New York. | ||
| 1986 | Spectrum: The Generic Figure, Corcoran Gallery of Art, Washington, D.C. | |
| Time After Time, Diane Brown Gallery, New York. Curated by Collins/Milazzo. | ||
| Spiritual America, C.E.P.A. Buffalo, NY. Curated by Collins & Milazzo. | ||
| On/Off The Wall, Virginia Beach Art Gallery, Virginia Beach, VA. | ||
| 1985 | Group Show, Gimpel & Weitzenhoffer Gallery, New York. | |
| 1984 | Southern Narrative, Kennedy Art Center, Birmingham, AL. | |
| 1983 | Personification, Art Gallery, Massachusetts College of Art, Boston, MA. | |
| Language, Drama, Source and Vision, The New Museum, New York. | ||
| 1982 | New New York, Fine Arts Galleries, Florida State University, Tallahassee, FL. | |
| James Hill & Melody Guichet, Galerie Simmone Stern, New Orleans, LA. | ||
| Visiting Artists Revisited, University Art Galleries, Univ. of Idaho, Moscow, ID. | ||
| 1981 | Mapped Art: Charts, Routes, Regions, Art Gallery, Univ.of Colorado, Boulder. | |
| Persona, The New Museum. New York, NY. | ||
| The Image of the House, Lawndale Gallery, Univ. of Houston, Houston, TX. | ||
| 1980 | Dialogues, Just Above Midtown Gallery, New York, NY. | |
| The Mask as Metaphor, Craft & Folk Art Museum, Los Angeles, CA. | ||
| Self Portrait Show, D.W. Gallery, Dallas, TX. | ||
| 1979 | Fire Show, Contemporary Arts Museum, Houston, TX. | |
| Midway Between Comedy & Art, Midway Studios, Univ. of Chicago, Chicago. | ||
| Weich und Plastisch/Soft Art, Kunsthaus Zurich, Zurich, Switzerland. | ||
| 1978 | Aesthetics of Graffiti, Museum of Modern Art, San Francisco, CA. | |
| Art of Texas, The Renaissance Society at the Univ. of Chicago, Chicago, IL. | ||
| Four Houston Artists, Fine Arts Galleries, Florida State Univ., Tallahassee, FL | ||
| Outside New York, The New Museum, New York, NY. | ||
| 1977 | Art Park 1977, Lewiston, NY. | |
| Whitney Biennial, Whitney Museum of American Art, New York, NY. |
| Baker, Kenneth. “Newer Art in Small Doses.” San Francisco Chronicle, March 22, 1986, pp. 82-83. |
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| Bartlett, Larry. “New Show Features Drinking Beer, Driving Across America.” New Orleans Times-Picayune, May 11, 1980, Sec.3, p. 10. |
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| Bell, Jane. “From the Inside Looking Out.” New York Arts Journal, No. 12, Nov.-Dec., 1978, n/p. |
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| Cotter, Holland. "Art in Review." The New York Times, Friday, April 5, 1996. |
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| Crossley, Mimi. “Art: James Hill at the CAM.” The Houston Post, July 15, 1977, n/p. |
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| Collins Tricia & Richard Milazzo. “Sinking to the Bottom of Discourse. Rene Richard.” Tema Celeste, No. 3, July-Oct .1990, pp. 50-57. |
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| Douglas, Theo. “Oscene It?” OC Weekly, November 3, 2006 |
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| Frank, Peter. “Outside, Inside, All Around the Town.” Village Voice Vol. XXIII, Nov. 13, 1978, p. 112. |
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| French, Christopher. “A Question of Intent.” Artweek, June 30, 1984, p. 5. |
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| Glade, Luba. “Art.” New Orleans States-Items, June 2, 1976, n/p. |
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| Green, Roger. “Art.” New Orleans States-Items, May 12, 1980, p. B-4. |
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| Hendrick, Becky. “Expression of Art Dualities.” El Paso Herald-Post, Feb. 27, 1987, n/p. |
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| Hoffman, Donald. “Gorilla Symbolism.” The Kansas City Star, Sect. E, p. 6, col. 1. |
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| Jordan, George E. “Galerie Stern Showing Whiteman, Hill’s Exhibits.” New Orleans Times-Picayune, June 3, 1976, p. 10. |
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| Kutner, Janet. “Emerging Artists.” The Dallas Morning News, Feb. 20, 1979, p. 13A. |
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| Lippard, Lucy. “Report from Houston: Texas Red Hots.” Art in America, Vol. 67, No. 4, July-Aug. 1979, pp. 30-31. |
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| Mahoney, Robert. “Time after Time.” Arts Magazine, Vol. 60, No. 10, Summer, 1986, pp. 126-127. |
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| Marshall, Robert. “American Homes and Travelers.” Artnet Magazine, http://www.artnet.com/magazine/reviews/marshall/marshall5-8-98.htm#3 |
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| Morgan, Robert C. “Go There,” May, 1994, Bill Maynes Contemporary Art, New York, exhibition catalogue. |
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| Moser, Charlotte. “Artist Hill.” The Houston Chronicle, July 14, 1977. n/p. |
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| Perreault, John. “Alternative Currents.” Soho News, October 15, 198o, p. 77. |
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| Perreault, John. “Alternative Currents.” Soho News, October 27, 1981, p. 59. |
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| Pinchbeck Daniel. “Genetic Aesthetics.” Connoisseur, June, 1991, 112. |
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| Ratcliff, Carter. “The Distractions of Theme.” Art in America, Vol. 69, No. 9, November 1981, p. 23. |
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| Richard, Paul. “Upbeat Creature Feature at the Corcoran.” The Washington Post, March 15, 1986. Sec. B, pp.1. |
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| Rifkin, Ned. “Fire or Flood.” Artweek, Vol. 10, No. 10 , March 10, 1979. pp. 15-16. |
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| Roberts, Anne. “Time after Time.” Artscene, Vol. 7, No. 13, Summer 1986, p. 34. |
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| Russell, John. “Up and Down the Avenue.” The New York Times, Oct. 25, 1981,p.D-35. |
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| Smith, Roberta. “The 1970’s at the Whitney.” Art in America, Vol. 65, No. 3 May-June 1977, pp. 91-93. |
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| Trussell, Robert C. “Artist Draws on Childhood Memory of Gorilla.” The Kansas Star, April 6, 1984, Sec. B, p. 9 |
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| Zimmer, William. “Two-Fisted.” Soho News, Vol. 6, No. 3, Oct. 9, 1978, p. 7 |